Der Gangster der er Jahre muss sich an die Vernichtung der weißen Mélodie en sous-sol verfährt mit dem Einbruch in ein Casino quasi analog zu dem. Der Gangster der er Jahre muss sich an die Vernichtung der weißen Mélodie en sous-sol verfährt mit dem Einbruch in ein Casino quasi analog zu dem. Casino ist ein Kriminalfilm-Drama aus dem Jahr des Regisseurs Martin Scorsese, der das Drehbuch zusammen mit Nicholas Pileggi schrieb. Dessen.
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Play slot Bikers Gang. Play slot Empires Warlords. Play slot Royal Win. Play slot Monsters Scratch. A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.
In Miami in , a determined Cuban immigrant takes over a drug cartel and succumbs to greed. The life of boxer Jake LaMotta , as the violence and temper that leads him to the top in the ring destroys his life outside of it.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
After a simple jewelry heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
As corruption grows in s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston. This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one.
Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 's and '80's are revealed.
Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.
I have to admit my bias, because I believe that Scorcese cannot do wrong - ever. Even his lesser-known or critically panned films are above the "great film" line, and Casino is certainly no exception.
Casino spans three decades and chronicles the true story of a faction of the mob who ran Las Vegas casinos. Robert DeNiro plays Ace Rothstein, a fantastic bookie who is chosen to run the Tangiers hotel and casino.
Along the way, he marries a drug-addicted con-artist trophy wife Sharon Stone and struggles with his friendship with loose-cannon Nicky Santoro Joe Pesci.
Rothstein is a complicated figure in that he is not a heavy, yet he wields a lot of power due to the respect he has gained from his mob bosses back home.
Robert DeNiro and Joe Pesci are both fantastic in their roles, and Sharon Stone actually turned out a non-irritating performance.
As the viewer, you can't stand her, but that is the point. Scorcese's normal supporting cast are also involved in this film, including his great mother - even though she usually has incredibly minimal roles, they are always memorable.
Scorcese seems to have several different directing styles, and Casino follows in the tradition of Goodfellas as a pseudo-documentary. A lot of the exposition is revealed by the characters themselves in the form of voice-overs, and several scenes are filmed in documentarian fashion.
The entire production however, is sleek and very quick. The use of music bears mentioning as well: Most Martin Scorcese films have an amazing soundtrack that adds to and enhances the scene.
Scorcese doesn't just utilize the soundtrack, he makes it part of the storytelling - by the music, we chronologically know what time period we are witnessing, since one cannot rely on other factors, such as fashion alone.
One of my favorite scenes in film which effectively involves music is actually from Casino - the very intense scene when the relationship between DeNiro, Stone and Pesci come to a head in the climax of the film.
The pounding music cut throughout this scene is a cover of "Satisfaction" by Devo and the result is absolutely brilliant. Being a complete film geek, I generally don't go to films that feature certain stars, I go to films by certain directors and Scorcese is one of them.
While this was probably the tenth time I'd seen this film there were more things I noticed, and I'm sure I'll notice more upon my eleventh viewing.
The man is a complete genius, and a gift to film - my suggestion is to watch some of his films, then check out his unbelievable series, "A Personal Journey with Martin Scorcese Through American Movies" which was done the same year as Casino.
The series is essentially a primer on the history of film, sectioned off by film genres. You not only will experience his amazing intellect and massive knowledge of film history, but his incredible humility as well.
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